I have been contemplating building a center channel and possibly surrounds for the Nest Theater. Music reproduction (vs surround effects for TV & movies) remains the key consideration and any scheme must enhance, not compromise, the fidelity of listening to tunes. Research has been underway for a couple of months and I have finally decided on how to proceed. More on those decisions and that build-out later, but let's start with some history and context.
My Multi-Channel History
I
was there, @ Lehigh in the early 70s, when my summer jobs led to bigger
audio system purchases and my building of a very early multi-channel
system using SQ/QS matrix (I used the Marantz 4100 Quad) stuff. These
matrix schemes attempted to derive back L/R channels from the main
channels' signals, or with properly "encoded" LPs, get discrete material
directly from the vinyl for the rears. I did install some stellar Bose
901 fronts and Bose 501 rears for this system ~ all this was contained
in my smallish frat room single with the 901s suspended from the
ceiling. It rocked the socks off and the 901s' reflected sound exposed
me early to signal processing needs for correction. However, early
multi-channel systems were psycho-acoustically unfit to serve. I used it
for several years but did prefer highly attenuated rears in this
system... I ultimately "upgraded" to 2 channel for decades.
Heading Back To The Future
The Nest Theater is currently a pure 2.1 system based on custom high efficiency speakers driven by a puny 8 watt SET amp. It is awesome for music and the room and all sources are optimized for that. Adding more speakers for multi-channel sound must carry that same ethic and deliver great, well integrated, and improved sound. How do I get reasonable center channel material which compliments the mains and doesn't disrupt the front soundfield? After:
- reading how Paul Klipsch experimented in the late 50's and concluded a center channel was indeed an improvement;
- researching Ambisonics, from Michael Gerzon in the early 90's;
- assessing Dave Griesinger's work on surround sound derivation from late 80's to 2000 with Lexicon/Harmon;
- hearing
Michael Barton's Trifield implementation for Meridian (even Dolby
acquired a Trifield company before releasing Atmos recently); and
- reviewing my own Blodgett theater gear which implements ever-improving Dolby multi-channel derivations, especially Dolby Pro Logic II(x)(z);